Partitions Numériques de The Ceremony of Life pour Saxophone Alto et Piano

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The Ceremony of Life
Non classifié 11

Piano & claviers
Piano seul 5
Piano, Voix 2
Accompagnement Piano 1
Piano, Voix et Guitare 1
Orgue 1

Piano Quatuor: piano, violon, alto, violoncelle 1
Piano Trio: piano, violon, violoncelle 1
2 Pianos, 8 mains 1

+ 3 instrumentations

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Guitares

Voix
Chorale SATB 9
Chorale 3 parties 3
Chorale 2 parties 2
Chorale TTBB 1
Chorale SSAA 1

Voix Tenor 1

+ 1 instrumentations

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Vents
Flûte traversière 3
Saxophone Alto 2
Saxophone Baryton, Piano 2
Hautbois (partie séparée) 2
Saxophone Alto et Piano 2

Flûte traversière et Piano 2
Clarinette 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2
Hautbois, Piano (duo) 2
Clarinette et Piano 1
Quintette de Saxophone: 5 saxophones 1
Saxophone Tenor et Piano 1
Hautbois, Basson (duo) 1
Saxophone Soprano et Piano 1
Quatuor de Clarinettes: 4 clarinettes 1
Flûte, Hautbois, Clarinette, Basson 1

+ 11 instrumentations

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Cuivres
Trombone et Piano 1
Cor et Piano 1
2 Euphoniums et 2 Tubas 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1
Quatuor de cuivres: 4 cors 1

Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Trompette, Piano 1
Cor et Basson (duo) 1

+ 3 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 10
Violon, Violoncelle (duo) 4
Violon et Piano 3
Violon 2
Alto, Piano 2

Trio à Cordes: 2 violons, violoncelle 1
Violoncelle, Piano 1

+ 2 instrumentations

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Percussions & orchestre
Orchestre à Cordes 6
Orchestre de chambre 1
Orchestre 1

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Vous avez sélectionné:

The Ceremony of Life

Saxophone Alto et Piano

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2 partitions trouvées

Fauré: Élégie Op. 24 for Alto Sax & Piano

Fauré: Élégie Op. 24 for Alto Sax & Piano #Saxophone Alto et Piano #INTERMÉDIAIRE/AVANCÉ #Classique #Gabriel Faure #James M #Fauré: Élé #jmsgu3 #SheetMusicPlus

Alto Saxophone,Piano - Level 4 - SKU: A0.549727 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Peri...(+)

Alto Saxophone,Piano - Level 4 - SKU: A0.549727 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531403. Published by jmsgu3 (A0.549727). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. FaurÃ© Background: In the first place, Gabriel FaurÃ© 1845 â€“1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs AprÃ¨s un rÃªve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faureâ€™s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: FaurÃ© was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that FaurÃ© studied music composition with the French musical mastermind Camille Saint-SaÃ«ns, who became his lifelong friend. FaurÃ© eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Ã‰glise de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: FaurÃ© was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, FaurÃ©'s music was slow to become accepted, except of course, in England. Legacy: Historians often describe FaurÃ©'s music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when FaurÃ© was born, Chopin was still composing. However, by the time of FaurÃ©'s death, jazz and atonal music, in particular, had come to fruition. FaurÃ©, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faureâ€™s final works.

$32.95 ≈ 30.42€

Pomp and Circumstance March No. 1 for Alto Saxophone and Piano

Pomp and Circumstance March No. 1 for Alto Saxophone and Piano #Saxophone Alto et Piano #INTERMÉDIAIRE #Classique #Edward Elgar #Diego Marani #Pomp and Circumstance March No #Diego Marani #SheetMusicPlus

Alto Saxophone,Piano - Level 3 - SKU: A0.1041586 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,S...(+)

Alto Saxophone,Piano - Level 3 - SKU: A0.1041586 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #646345. Published by Diego Marani (A0.1041586). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for alto sax with piano is suitable for classroom, repertoire and recital.

$9.99 ≈ 9.22€

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